The final disc I want to mention also has a French connection, but in this instance it is Collette Savard’s rural Franco-Ontarian heritage that comes into play. Now living in Toronto, she has incorporated more urban jazz and pop-oriented sensibilities into her writing and composition, crafting what she calls “a soulful new style of folk music.” What drew me to Collette’s new CD Zen Boyfriend (www.collettesavard.com ) is its instrumentation. I cannot think of another contemporary instance where the main accompaniment is provided by dulcimer or ukulele. Oh there is ample acoustic guitar, with occasional dobro, violin, viola, percussion, bass, and on one cut even the baritone sax of Richard Underhill, but the most intriguing tracks involve Savard’s sturdy vocals with very meagre instrumentation, mostly provided by producer John Zytaruk. All the songs are original compositions. Particularly effective are Quarter-Life Crisis (banjo, guitar and bass) and the closing track Over the Waves where Zytaruk’s lap steel (at times reminiscent of John Gzowski’s haunting work with Mary Margaret O’Hara) provides the only support for Savard’s vocal melody and sparse ukulele strumming.
David Olds - The WholeNote
(Jun 1, 2008)